![]() ![]() More customization is possible with Instrument Configuration specific dialog (see below). You can, of course, very simply specify, for instance, an A/D tuning by raising the three "strings" by two semi-tones in the Instrument Tuning dialog box. It should also be noted that the pre-defined tuning used by TablEdit is that of the G/C accordion, this being the most common. This can be recognized by the absence of the violin or other key and the absence of the signs (neither sharp nor flat signs are presented, but double crosses instead of or in front of individual note symbols). But they are not notes, it is a tablature, each note symbol means only a certain button on the accordion, so it does not show the real pitch, but the button to be pressed. A Griffschrift sheet looks like normal notes. Note that by pressing +, you automatically enter in Griffschrift mode. For example, if you enter "Accordion B&C#", TablEdit will display B at the beginning of the first row and #C at the beginning of the second. But you can define another string by editing the name of the accordion in the Instrument Configuration dialog. By default, the first two rows are named G and C. Entry from the tablature is almost impossible because the notes appear on the tablature where they are not physically. This mode affects display and printout only. ![]() Note that by pressing, you automatically enter " row" mode (aka Corgeron mode). The notes of two-note chords will be displayed one above the other in the tablature rather than side-by-side as is the case with three and four note chords. You can enter chords of from two to four notes. To access the individual notes in order to edit them you'll first have to separate them by re-selecting them as a block and once more clicking on the chord effect in the palette. In order to enter a right-hand chord consisting of three notes:įinally, select the chord effect from the alternate Special Effects palette (the next-to-the-last button in the palette) The "Accordion" palette allows the entry of right hand chords as well. ![]() On printout, the basses and the chords are removed from the notation. This makes it easier to adjust the duration. On screen, TablEdit can display the basses in the notation. If the bass and the chord have to be played at the same time, a capital letter with a diagonal bar is displayed. If you want to play a minor, major or 7th chord, use the last button on the Special Effects palette (the program performs a minor, major, seventh, neutral cycle).īy default, TablEdit provides two lines for the entry of basses and left hand chords. In MIDI playback, the chords are played without the third. ![]() You can also use the keyboard shortcut that turns a single bass into a chord or vice versa. If necessary, you can adjust the pitch using and. To enter left hand chords, re-enter the initial a second time. To enter the bass notes, enter the initial of the note in Upper Case. Notes entered in the notation are automatically placed on the line or on the row selected in the " Special effects" palette illustrated above. In cases where the note can be played on any of several rows, the row can be forced using or in the notation. Enter the number of the button on the destination line and then press if it's a second row note or the corresponding button from the palette (same thing for third row notes). Conversely, notes on the " Push" line can be sent to the " Pull" line using +.Įntering notes via the tablature is simple. You can transfer notes found on the " Pull" (T) line to the " Push" ( P) line by using +. You can enter both the melody and the bass from either the tablature or the notation. The appearance of the " Special Effects" palette will also change: TablEdit recognizes the concertina as long as the configuration name starts with "Concertina". TablEdit automatically recognizes this instrument as soon as a tablature has been created using one of the pre-defined tunings proposed for it in the " Tuning" tab of the " Instrument." dialog. ![]()
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